about the artist

I am a Seattle native and grew up experimenting with fiber art. After receiving my bachelor and master's degrees, and teaching several years, I started a weaving business, eventually expanding it to include surface designs on clothing. Later, at the University of Washington Fibers Department, I worked with Hazel Conig, Richard Proctor, and Layne Goldsmith, broadening my work to include dyeing yarns and fabric, basket design, felt and paper making, surface design, as well as new weaving techniques.

My rug making synthesizes a variety of interests and talents. Using a technique called tufting, textural possibilities can be enhanced with a unique assortment of materials. Design repetition unifies my rugs while different pile lengths enhance the appearance, bringing depth and contrast. My patterns and motifs continue to evolve from diverse sources, although the Pacific Northwest remains a predominant influence.

Although my work is based on traditional rug hooking techniques, I use a process called tufting. I begin the project by creating a design on paper. Next, I choose the specific colors and types of yarns. Finally cotton monk's cloth (the backing material) is stretched over a wooden frame and the design is drawn on the back side of the cloth. An electric needle, resembling a hand drill, forces the loops of yarn through the backing to the front of the piece. The length of the loops is adjustable. When completed latex is applied to the back of the rug to secure the yarn.

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